The original CoCo relies on the Motorola 6847 Video Graphics Controller (aka "VDG"). On paper, the specifications of the VDG compare reasonably well to those of its contemporaries. But, it is restricted to the use of one of two 4-color palettes in its graphics modes -- both sets being rather hard on the eyes and neither containing black. It does offer a set of "semi-graphics" modes that allow for the use of all 8 colors plus black, but that comes at the price of even lower resolution.
The CoCo3 is different, of course. But even with the advent of Fahrfall, in my opinion the original CoCo (and CoCo2) remains a bit under-loved. Besides, the project I have undertaken will teach me some crucial details about timing on the CoCo. Hopefully those details will help me add some final features (like in-game music) to Fahrfall!
The CoCo wasn't the only machine to use the VDG. Another machine using the VDG was the Dick Smith VZ200. At some point I was surfing the web and came upon an article about the VZ200 that describes changing VDG display modes while the screen is actively being drawn, allowing for more than one mode to display on the screen at a given time. Looking closer at the datasheet for the VDG also reveals that the mode control inputs "may be changed on a character by character basis". In fact, this is exactly the technique the CoCo hardware uses to choose between displaying alphanumeric characters and semi-graphics blocks.
The ability to change modes "on the fly" provides some flexibility not otherwise available to a static VDG configuration. In exchange for some properly utilized CPU cycles, we can create a variety of custom video modes. This capability can be used to enable the use of all 8 colors (but still no black) in the VDG's color graphics modes.
Another technique that others have used to improve available color counts is to alternate between two screens of graphic data for a given image. By doing this switching quickly enough (one switch every 1/60th of a second), the two screens blend to create a new image in the viewer's mind. I recently came across a presentation describing just this sort of technique being used to produce 105-color images with the 15-color palette available on the MSX1. A particular point about that presentation gave me an idea about how to combine a couple of VDG modes to produce improved graphics output on the CoCo.
So, hopefully that provides an outline of my entry for this Summer's Retrochallenge event. Much of the work is already done, but it still needs a good write-up -- I intend to provide that over the next week or so. In the meantime, I hope that everyone will enjoy my little CoCo project!